IA Synth User Guide

Synthesizer, chord and rhythm studio, and EQ in one instrument.

Synth Chords EQ

Overview

IA Synth is a polyphonic synthesizer with a chord and rhythm studio and a console-style EQ built in. It has three pages, switched with the tabs at the top.

  • SYNTH: 120 presets and all the controls.
  • CHORDS: genre-specific chord and progression suggestions, a piano roll, rhythm grooves, and MIDI drag-and-drop to your DAW.
  • EQ: a 5-band EQ with HPF/LPF and presets.
The IA Synth SYNTH page with the Supersaw Pad preset loaded
The SYNTH page with the Supersaw Pad preset.

Getting started

  1. Insert IA Synth on an instrument track.
  2. Pick a preset with the arrows or the preset name at the top.
  3. Play from your keyboard, the on-screen keys, or your computer keyboard.
  4. Open CHORDS to write a progression and drag into your DAW.

The header

The IA Synth header: SYNTH, CHORDS and EQ tabs, preset arrows, the preset name, SAVE, the output meter and MASTER
ControlWhat it does
SYNTH / CHORDS / EQSwitch pages.
< and >Previous / next preset.
Preset nameClick for the full list by category, plus the user presets folder.
SAVESave the current sound as your own preset.
MeterOutput level.
MASTEROutput volume, -36 to +12 dB.

The keyboard

The IA Synth on-screen keyboard with octave buttons

Click to play, or use your computer keyboard. Z and X (or the < and > buttons) move the computer keys down or up an octave.

The SYNTH page

Two oscillators, a sub and noise feed the filter and amp. Effects, stereo tools and the performance controls sit below. Sections that are switched off are dimmed.

The top row of the SYNTH page: OSC A, OSC B, Sub + Noise and the Filter

Oscillators (OSC A and OSC B)

ControlWhat it does
ONTurns the oscillator on.
Wave menuSix morphing tables: Classic, Mellow, Sync, Organ, Vocal, FM.
SHAPESweeps through the table's waveforms.
OCTAVE / SEMI / FINETuning: octaves, semitones, cents.
UNISON1 to 7 stacked copies of the oscillator.
DETUNEHow far the copies spread in pitch.
UNI WIDTHHow far the copies spread in stereo.
LEVELOscillator volume.

Sub + Noise

ControlWhat it does
Sub wave / octaveSine, triangle or square, one or two octaves below the note.
SUBSub volume.
NOISE TONENoise brightness.
NOISENoise volume.

Filter

ControlWhat it does
TypeLadder 24 (warm, classic), Smooth 12, Band Pass, High Pass.
CUTOFFFilter frequency.
RESResonance.
DRIVESaturation inside the filter.
ENV AMTHow far the mod envelope moves the cutoff, up or down.
KEY TRACKHigher notes open the filter more.
VELOCITYSofter notes play darker.
The middle row of the SYNTH page: amp envelope, mod envelope, LFO and Voice

Envelopes

ControlWhat it does
ATTACK / DECAY / SUSTAIN / RELEASEShape of the note over time. You can also drag the handles on the display.
Amp VELOCITYHow much softer soft notes play.
MOD ENVELOPEA second envelope. It moves the filter (through ENV AMT) and, with > SHAPE, the oscillator shape.

LFO

ControlWhat it does
Shape menuSine, Triangle, Saw, Square, Random, Pump (sidechain-style duck).
RATESpeed in Hz. With SYNC on it becomes SYNC RATE, in note values.
SYNC / RETRIGLock to the DAW tempo / restart on each new note.
OFFBEATShifts the cycle half a beat. Available with SYNC or RETRIG.
> PITCH / > CUTOFF / > SHAPE / > VOLUMEHow much the LFO moves each of these.

Voice

ControlWhat it does
Poly / Mono / LegatoChords, one note at a time, or one note without re-triggering.
Legato / AlwaysGlide only between overlapping notes, or on every note.
GLIDE TIME / GLIDE CURVEHow long a slide takes and its shape.
ANALOGSubtle per-note drift in tuning and tone.
BEND RANGE / WHEEL VIBPitch-wheel range / mod-wheel vibrato depth.
The effects row of the SYNTH page: Drive, Density, Chorus, Stereo + Space, Delay and Reverb

Effects

ControlWhat it does
DRIVEWarm saturation.
DENSITYMultiband compression for a fuller, closer sound.
CHORUSClassic ensemble chorus: RATE, DEPTH, MIX.
DELAYTempo-synced echo: TIME, FEEDBACK, MIX, PING-PONG.
REVERBSIZE, DAMP (darkens the tail), MIX.

Stereo + Space

ControlWhat it does
WIDTHStereo width. The low end always stays mono.
VOICE PANPlaces each voice at its own position.
AMBIENCEA soft room space that fills the gaps between notes.
The perform row of the SYNTH page: Energy, Shimmer, Orchestrate, Halo and Player

Perform

ControlWhat it does
ENERGY50% is the preset as designed. Lower is more intimate, higher is bigger and brighter.
SHIMMER / BLOOMAiry octave layers with their own reverb / how quickly they fade in.
ORCHESTRATEOctave doubles that thicken the sound.
HALOStrings that ring along with the chord.
PLAYERRolls chords like a strum: Off, Roll Up, Roll Down, Loose. SPACING sets the gap between notes.

The CHORDS page

Write progressions without leaving the plugin. Everything follows the key, so the whole library works in any key.

The top of the CHORDS page: key, mode and genre menus, BASS NOTE, chord tiles and progressions

Key, mode and genre

ControlWhat it does
Key / Major-MinorThe key.
Genre12 genres, each with their own chords, progressions and grooves.
BASS NOTEAdds the root note in the bass.

Chords and progressions

ControlWhat it does
Chord tilesHold to hear. The top button picks the chord colour and the lower one the inversion (hover the list to hear each).
ProgressionsClick to loop a preview; click again to stop.
DragDrag any tile onto the roll, or straight into your DAW as MIDI.
+ SAVESaves the chord selected in the roll, or the roll's progression, to this genre. Right-click a saved tile to rename or delete it.
The IA Synth piano roll with a four-bar progression and the transport, PLAY WITH DAW and DRAG CLIP TO DAW controls

The piano roll

ControlWhat it does
ROLL / RHYTHMShow the roll alone, or the rhythm editor under it.
Length / Snap1 to 16 bars / grid size.
Time signatureAuto follows your DAW, or pick one.
PLAY WITH DAWPlays the roll in time whenever the DAW plays.
Play / Pause / Back to startPreview the roll while the DAW is stopped.
CLEAR NOTES / CLEAR RHYTHMEmpty the roll / switch the rhythm off.
Undo, Redo, Copy, PasteAlso Cmd (Ctrl) Z, C, X, V, and D.
DRAG CLIP TO DAWDrag the whole clip into your DAW as a MIDI item.

Editing: double-click the grid to add a note (keep holding and drag to set its length), drag a note to move it, drag its right edge to resize, double-click it to delete. Drag on empty grid to select.

The rhythm editor: groove tiles above the CHORD and BASS step lanes

Rhythm

ControlWhat it does
Groove tilesClick to load a groove for this genre and meter. Click the lit one to turn it off.
CHORD / BASS lanesClick a step to add or remove a hit, drag to hold it, shift-click to accent.
Pattern / SWINGOne- or two-bar pattern / how much the off-beats lag.
+ SAVESave the grid as your own groove.

The roll holds the harmony and the rhythm decides when it plays. Each hit plays whatever chord is current at that moment.

Playing with your DAW

  • Bar 1 of the clip sits where you press play in the DAW, or on the loop start when the DAW is looping.
  • Switching PLAY WITH DAW on mid-song joins at the current position.
  • While the roll has notes, the track's own MIDI is muted.
  • Once you drag the clip into your DAW, PLAY WITH DAW turns off, so the notes aren't doubled.

The EQ page

A 5-band EQ on the synth's output (with HPF and LPF). Changing synth presets doesn’t change EQ settings.

The IA Synth EQ display with the Warm curve selected, over the pad's input and output spectrum
The Warm curve, with the pad's spectrum in and out.

Curves

ControlWhat it does
Curve buttons12 preset EQs.
+ SAVESave your own. Right-click it to rename, update or delete.
EQ INBypass switch.
MATCHKeeps the loudness level, so you hear the tone change, not a volume jump.

The display

  • Drag a dot to move that band: left and right for frequency, up and down for gain.
  • Mouse wheel over a dot changes its width (Q). Double-click a dot to return it to the curve.
  • The filled trace is the sound going in; the outline is what comes out.
The EQ band knobs: High Pass, Low, Low Mid, Mid, Presence, Air and Low Pass

The bands

ControlWhat it does
HIGH PASSCuts lows below FREQ (18 dB/oct). Fully left is off.
LOW / AIRShelves for the bottom and top end.
LOW MID / MID / PRESENCEBell bands for the low, middle, and high mids.
GAIN / FREQ / Q±12 dB / band frequency / width. Q centered is Auto and follows the gain.
LOW PASSCuts highs above FREQ (12 dB/oct). Fully right is off.

IA Synth is free — VST3 and AU, macOS and Windows. Back to the plugin page.